The week started with a puzzle I know all too well in this industry: the hold situation. I had been on hold for one job for 11 days. Eleven. When another booking came through for Tuesday and Wednesday in San Francisco, I figured the hold was probably a no-go at this point. So I accepted the SF job. And then, one hour later, the hold converted to a confirmed booking. In Los Angeles. On Thursday. Everything happens quickly in this industry!

Every hand model remembers their first real closeup, and mine is in this reel. There was a whole conversation about manicure color, a cash reimbursement at the shoot, and a very memorable moment of realizing: okay, this is really happening. Whatever you do, don't mess up your nails.

Let's talk about what it actually looks like to be a hand model, because it's a lot more involved than most people think. I've been called onto location shoots, big production studios, and apartments transformed into full sets with professional lighting and custom backdrops, primarily working across Los Angeles and the San Francisco Bay Area. Every environment is different, but the preparation? That's always the same.

I'm Emily Parsons, a film professional based in the San Francisco Bay Area and Los Angeles with over a decade of experience across acting, directing, writing, production coordinating, and casting. I'm also a female hand model in my 30s, and this is the story of how I ended up specializing in one of the most niche and genuinely fun jobs in the industry.